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The Play That Goes Wrong is a riotous romp of a play within a play about a hapless amateur dramatic society’s attempts to put on a 1920s Agatha Christie-style murder drama.
Of course everything goes very, very wrong, and the production within the production is a complete disaster, but it’s a slapstick tongue-in-cheek wrong that has had audiences flocking to see it.
British Vogue is marking its centenary year with a major exhibition at the National Portrait Gallery. Vogue 100: A Century of Style features fashion, beauty and portrait photography taken from the magazine’s Condé Nast archives over the last 100 years.
There will be 280 prints of photographs by everyone from Cecil Beaton and Lee Miller to Herb Ritts and Mario Testino, with images of the beautiful and famous including Marlene Dietrich, Lady Diana Spencer, Fred Astaire and David Beckham. Also featured are the clothes, with fashions from across a century from Dior to McQueen.
The Rolling Stones: Exhibitionism is a career-spanning tour of rock ’n’ roll’s most famous band, which is taking over the whole of Chelsea’s Saatchi Gallery this year.
The first-ever major exhibition devoted to the band and their 50+ years on the road has over 500 artefacts from the band’s personal archive including famous stage wear, rare audio and video tracks, guitars, album covers and personal diaries.
Dr Faustus, Christopher Marlowe’s classic 400-year-old tale about the cost of wealth, power and fame, is getting a new look from the Jamie Lloyd Company.
Kit Harington stars as the tragic hero, Faustus. He is best known to Game of Thrones fans as Jon Snow, but has appeared on the West End stage in the original cast of War Horse and Laura Wade’s Posh at the Royal Court in 2010. Jenna Russell co-stars in the role of the demon Mephistopheles, usually played by a man.
Danny Boyle’s zombie apocalypse film 28 Days Later is being given the fully immersive Secret Cinema treatment this spring, showing in a secret location in London.
The film begins with Jim (Cillian Murphy) waking from a coma in post-apocalyptic London to discover that he’s completely alone, the hospital he’s a patient at (St Thomas’s, opposite the Houses of Parliament) deserted, the city eerily quiet. A deadly virus has turned everybody into the walking — or running — dead and society as we know it has completely collapsed. It is one of cinema’s iconic scenes when he steps out of the hospital into a deserted London (the scene was filmed over a number of days very early in the morning in the summer before 9/11 – the film came out the following year).
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